hicago based producers chicago skyway, taelue, & chicagodeep come together to form the group simple machines. their debut release offers a peek into the groups world of sound, offering elements of deep and experimental house & techno

welcome back, okain! after his praised collaboration with onno resulting in their conjunctional triple o ep samuel thalmann a.k.a. okain is about to unleash four brand new tunes on his forthcoming upon.you-single coma. with the title track coma our french friend masterly crafts an enthrallingly bouncy mother of a tune walking the fine line between house and techhouse, serving swirling hi-nrg synth modulations and super ecstatic vocal bits for those who like to get into the groove. this track is prime time heaven for all clubbers out there

ben cohens *voyage to rahoz* is dappled with esoteric references invoking the hazy contours of the ever mystical inner zones. it delves gracefully into these realms with the opener *momentum*, which gives way to the mind-expanding workout that is *acid dreams*, a proper luscious piece. on the b-side, *play with humanity* is built around elastic percussive elements and an enigmatic looped-voice. the final cut is an adroit, if not buoyant, rework by the moscow’s top producer anton zap.

nice price deal !!! moff begins its first vinyl with the release named unique from bodeler & juan zolbaran. on the remix duties we welcome kindisch native ben hoo who brings exceptional 8 minute remix into this amazing ep.

polo is the odds-on of kann s favorite djs. as a longterm label friend finally he makes his debut on the hometown label. with „route“ he modulated 4 trippy mental and uncomplaining tracks that accord with his dj sets as decent but mindblowing journeys into deepest house & techno. welcome polo!

revisiting the artists that started it all, the odd boys return to sol asylum for another full length ep on the label. bringing their known flavor of funk and all things odd, we are happy to present the seventh release on sol asylum filled with >cosmic energy<. vortex shows the boys fine tuned producing skills and showcases their well-developed expertise with analog production techniques to create futuristic sounds. the elegant track takes us to a far off place with traveling basslines and glimmering synths with just enough dirt recorded from their analog tape to get that distinctive odd sound. taking us back to ancient egypt with pyramid we are taken into a thought forming incubator of divine cosmic landscapes with swinging razor blade hats, pulsating synth lines, rolling techno grooves and their signature tweaked percussion. finishing off this planetary trip through the odd galaxy with sphere, we are orbited into an emotional realm with alluring pads that are accompanied by arpeggiated synth lines that levitate you to a state of bliss.

this release captures kicks, rhythms, and snares—only to drag them kicking and screaming into a metallic underworld. in j. tijn’s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a’s “kanon v.i.p.” a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on “mor” before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn’s roots are. “shy” lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

the project named after his own label brand presents four cuts ranging from cosmic quantum nervous compulsion to introspection. harmonious combination of complex percussive rhythms gives way to the already identifiable sonic universe of 30drop that turns into an effective formula at any club aimed at the forefront of the electronic dance music. sacred geometry and style, concept and form, all to the service of the fundamental search. the roots are deep and horizon is vast. >superconductivity ep< extends the scope of 30drop positioning on the edge of the sideral dance floor.

autoroutes ii by pamplonas iii3s (aka supersobresaturado) is the soundtrack for a 21st-century trip interconnecting continents and generations of acid-house lovers and ravers. this record is a hard-driving journey into (ph)uturistic sounds that takes it back to the old school. iii3s knows that the best road-trips begin and/or end in chicago (which is, after all, the start-point of the legendary route 66) and he knows the start-point of any journey into acid-house is chicagos phuture, the legendary masters whose *acid trax* created the genre in 1986. and so he is humbled to get remix support on this special edition vinyl release from none other than phuture members lothario lee, dj spank-spank, and ron maney aka dj skull.

shaw cuts enters the site of crime with its first release called ‘have sword, will travel’. the ep includes 4 techno assassins – two tracks by the label founder himself lachriz, who introduces his shaolin moniker ‘farron’ and 2 remixes by the argentinian boxer jonas kopp. ‘equinox’ opens the slaughter with shaking break-beat punches in combination with atmospheric pads surrounding the drum jabs. ti lung would have been pleased. the track ‘apo-g’ comes in sly and chases the enemy with dirty drums and menacing distorted sound spheres that will morph the bad guys into dead guys – throwing star style. the b-side gets taken over all the way by jonas kopp, who brings up two different remixes of ‘equinox’ that can easily cut off the rival’s extremities like a sharp guillotine. and the carnage just begun

as the music is research, pisetzky loves to get deep into bass lines of different sound dimension. his style is always powerful and melancholic, moving hearts and minds into multi layered soundscapes. he started producing in 2010 with the name fabiano valli as sound designer for fashion brands. since late 2013 he turned his profile into pisetzky, inspired by a growing milans techno scene, he started to realise his attitude into being active part of the project just - this. he already proved his musical research for the biggest europe festivals stages ( off sonar week, ade, amore, barrakud ), as in the finest clubs and parties. in the darkness of his studio or even on the hottest dancefloors, pisetzky shakes deeply souls and bodies with his dogged rhythms.

kojiki groove is magnesiis second release on chronocircle. compared to his previous circle002, this is more of a club orientated 12inch rather than its hypnotic psych-techno predecessor. magnesii makes hypnotic music, preferably in a space out of time and reality. embracing the absence of computers and screens, the absence of any digital window into the world. some magnesii tracks form a conceptual whole, circle002 is an example of this: its a piece of music made to epitomize a psycho-dramatic hallucinate trip from the past. sounds to emulate saturated and hypnotic imagery

michael l penman s lazy boy opens up proceedings on a dark and hypnotic tip with dreamy pad lines, modulating bass tones and weighty distorted rhythms. belgium s igor vicente reworks lazy boy next and provides a more reduced take on things with sparse percussive elements and menacing atmospheres. on the flip side scott kemp turns in sirma , a subtly unfolding groove-led number built around stripped rhythms and soft synth flourishes, while sascha dive rounds off the package by reshaping sirma into a brooding, seven-minute mesmeric workout.

good morning, commander. glad you could make it this early. please take a seat. as you know, your journey towards wasteland is a mission divided into four stages

beau wanzer and dan jugel are juzer. making their first appearance on nyc s corner label, juzer now see a release on italian outpost dog in the night. here we get three tracks of no holds barred mid-90s rz-1 techno somewhere in between dbx ot jack master era hawtin. complete and effective mixing tools, dry claps and all these cuts are sure to work the crowd into a frenzy. recommended.

deep in the heart of the ghetto, on the mean streets of chicago s infamous southside, a music pioneer was born... dj slugos rerelease - freaky ride from dance mania 225 (1997) and - in the clouds from ghetto series 009 (1996).

we are proud to present our second release: a split ep between coldgeist & côme, mastered at dubplates. on the side a we have ‘nocturnal’ and its spatial atmosphere from côme, including a remix from in aeternam vale. the minimalism of the original track and the subtle evolution of the bells evoke a wandering through the abyss of a cold night until the final take off. a perfect opening act for this ep. in aeternam vale s remix sounds astonishingly powerful, cold and caustic with its uncompromising minimalism, but also provocative and capable to smash your ass on the dance-floor. on the flipside, ‘nommos’ original track from coldgeist and the remix from alexey volkov bring the power of industrial tones. coldgeist delivers a 7 minutes track which penetrates progressively into our intimacy. the deep atmosphere reinforced by the repetition of ternary patterns allow to approach a mesmeric state.

latest wicked bass instalment comes from lost 1990s tapes of an underground estonian production group, hupnosaurus. side a opens with muru, a simple ballad with its stripped kicks and funky string bass that gradually reach a lo-fi acidic house condition with psychedelic swirls appearing every now and then. bookworms provides a remix treatment with thick, multi-layered overdriven & looped madness that strips the original to a simple bassline and occasional industrial stabs. on side b, always in n out starts out as unorthodox blend of a classic techno kick and speed garage percussion, but after a long building spacey pad breaks into a classic filtered house tune with transposed chords and cut-up vocals that runs until the end of the track. the last title track demonstrates heavy stomping kicks, swinging hats, familiar psychedelic whirls and a trippy, crushed vocal sample appearing out of nowhere questioning where am i?

standard edition auf doppel-vinyl inklusive album-cd.

deluxe edition auf 180 gramm vinyl im 3fach klappcover, inklusive cd mit bonus-tracks, poster und sticker.

12 inch hand stamped vinyl with insert

everyones expression is unique, interesting and a collaborated product of lifes experiences, so is the music, the art and the vision. we carry this essence in everything that is techfui. our label brings family, friends and fresh talents together, and is built on a strong relationship around the people and their talents. we stay true to our roots, traditions and culture, always forward thinking and cutting edge.
during the development of the label direction and ideology evolving from the existing brand, we carefully picked our first few family members. the artists were picked to fit the ideology in both musical and personal character.
pawas is someone we have admired for a while for his work ethic and talent. his multicultural background was a nice mix into the equation as we push to bring together and collaborate with artists from various regions and influences.

finale sessions founder michael zucker steps into the limelight with his first full ep for the label in the five years it has been running. zucker has of course featured on a handful of split releases from finale but he doesn t waste any of the space afforded here with a quartet of superb and varied productions. leading the way, techno track his spirit bristles with life and percussive energy whilst inner city peace will likely raise some interested eyebrows in west london thanks to its killer broken beat programming. face down, zucker dips into his personal archives for an unreleased and rather crisp remix of introspective and jenifa mayanja hookup when the rain comes down whilst the wonderfully named spiritual graffiti ends the release on a high note

after carlos nilmmns enthralled us with his expressive true chemistry ep, circus company is delighted to welcome a new character into the fold in the form of fast-rising german artist borrowed identity. based in the southern town of freiburg im breisgau, in just a few years he has already released scores of singles for labels as respected as quintessentials, fina, home taping is killing music and mistress. the borrowed identity sound is direct and uncomplicated, using classic house and techno styles and applying them to dynamic arrangements that showcase a confident set of studio skills and a deep understanding of what excites the expectant dancer.

the latest ornate music offering sees the welcome return of homepark duo rob glassett and sam fussell, last seen on the label with the fill emptiness ep in 2012. since then, homepark have gone on to issue just the one 12-, untitled for courtesy of balance, whilst glassett developed his fold project, making this return to ornate most welcome. the style glassett and fussell deal in remains ever consistent, fusing crisp machine rhythms with plush chords and strings, using the finest ingredients to whip up impeccable house music to burrow comfortably into any number of nocturnal situations. with melodic soul at its core, this ep carries the ornate message on perfectly from previous flag-bearers ka one & st-sene and jordan in a blissful blur of blue-hued synths and bumping drums.

vienna in da house! the latest release from intimate friends invites viennese producer par excellence roman rauch into the fold for the essig jazz ep. straight from the home of the wiener schnitzel, roman is of course known for almost a dozen releases on labels like endless flight, philpot and quintessentials. the austrian is on fine fettle here with three twisted and rolling productions the spoken word delivery from caits meissner on got to be is something of a highlight as is the wonderfully messed up remix of the title track from glenn astro.

techno is a sound of resistance. resistance is a struggle to survive. survival is an essential component of living. we are here, alive, living, breathing and thinking. disagree is a statement of non conformity stars is a statement to put our lives into the context of the universal. create, contribute, and celebrate our music.

phorma releases ion, a nine-minute dub techno piece by adam craft reminiscing rainy nights on stockholms sveavagen. on the flip side, dimi angelis and jeroen search transform this vibe into a stripped-down yet powerful tool to work the early hours.

markantonio can rightly be described as one of italys true techno titans, working tirelessly as he has since the late nineties to bring the tougher side electronic music into the light. recording for labels such as marco carolas design music, billy nastys tortured records and umeks recycled loops, markantonio has spent the last 16 years on the cutting edge of quality techno but it was with the launch of his analytic trail imprint in 2001 that he perhaps truly came into his own. the label became a hotbed for emerging and established names as markantonios own productions sat alongside releases from the likes of jospeh capriati, davide squillace, rino cerrone, & paco osuna. away from the studio he established himself as a global dj, taking his own unique sound on to the road, across europe and beyond and garnering fans wherever he went.

limited edition of 400 on clear vinyl with screen printed artwork. organic analogue records returns to present its second release from georgian producer hvl. away from everything we know, is the perfect balance struck between a meditative state and playful electronic experimentation, for all its subtlety it s an incredibly detailed piece of work that deals in myriad layers of tone and pulse. to bring a fresh perspective, la-based artist gabriel reyes-whittaker, perhaps better known for his gifted & blessed project, steps into the reflektor guise to drop a plush remix of away from everything we know

steve murphys curiously long shadow casts itself ever further over the realms of gritty house and techno with a barn-storming follow up on the lobster theremin core series, this time ratcheting up the tempo and rhythm to epic levels. shed-esque kicks thunder over asteroid-crumbling basslines, crackling wooden percussion is slammed into the muggy dirt and leaves, seriously filthy, rolling numbers for the all night crew.
*uk treatment* kicks and thumps in all the right places, with a stuttering synth stab loop and vocals giving it some serious peak time currency. *spleen* is all sludgy, skittering mpc business, while *rules* goes off-key chicago and *total recall 2084* swims around, pestered in the mud until a lonely, droning piano key scares away the flanged swarm of wasps and noise.

denver party crew delivers house cuts for the floor: occidental “move u”, jacking house, falling into places “sound response” somber yet driving, bocaj “everything must change” airy with swung acid stabs, justin more with introspective “feeling”.

what if you never sleep? sally rodgers (a man called adam) has written these few words, that anyone can imagine his own night story on. the 2 french boys patrick vidal (marie et les garçons) and laurent caligaris (working withterrence parker, enola, scan x) get the balance rigth for a nigth walking closed to art dep. iconic honey dijon (classic, ny) delivers a pure old school chicagos style remix as oskar offermann (white/hardmoon, berlin) goes step by step into a beautifull rythmic, melodic, hypnotic remix.

after kicking off their label in style with burnski s your love backed up by remixes from trus me and steve o sullivan, constant sound use their second release to showcase a pair of up and coming producers from newcastle., a scott & richard rowell. mrs j has been burning a hole in burnski s bag for some time now, waiting for the right opportunity to get unleashed on the public good and proper. the quality of the production belies the youth of the pair behind this addictive, bumping tech-house cut, although years spent as residents for the jaunt parties in newcastle and london have undoubtedly fed into the quality of their sound.

poland s father and son records and tapes present first proper outing from label boss maciek sienkiewicz - three heavily edited tunes from different periods of popular music history. -the white sheik- turns an obscure 80s eastern bloc groove into a full-on modern disco stormer, while -no shit sherlock- is 70s brazilian fusion redux. finally, the title track turns first few notes of one massive pop hit from 02 into hypnotic, entrancing journey in the vein of terry riley or philip glass. fantastic cover art designed especially for this release by renowned contemporary artist paulina olowska.

having previously plied their wares on is it balearic and los grandes, spanish nu-balearic sorts two mamarrachos pop up on another suitably horizontal imprint, dependable leeds label joe s bakery. there style is sunkissed by druggy, with opener al andalus offering an exotic, chugging blend of foreboding, lowslung grooves and arabic synthesizer melodies. super disco dancer delves deep into the box marked experimental analogue electronic disco, with heady, spaced-out synthesizers sprawling all over a typically atmospheric, cosmic groove. let feel higher is, arguably, the most balearic of the three, with warm acoustic guitars and delayladen gospel vocal samples creating a suitably toasty, glassy-eyed mood

a figurehead of the uk grime scene through the influential boxed night he runs alongside mr. mitch, logos and oil gang, slackk aka paul lynch channels the instrumental music of boxed and distils it into his own inimitable, richly melodic style.

droid behavior’s luis flores comes through with a 2-track ace for the label’s 20th vinyl release, static forces. negative pressure (a1) starts off with a brewing undercurrent of bass and hypnotically builds into a dizzied cavern of competing sonic forces and reverberant whispered utterances. surface tension (b1) takes an alluring shaken groove and reveals its drive as its elements make their way to the front, slowly pushing the track’s rhythmic intensity. two tracks for long play and lost minds. silk screened jackets on black sleeves.

psyks newest release for the mote-evolver label (following last years time foundation album and the eps aracade and distane) is solid and elemental techno as ever: it fits neatly into the labels stylistic template of mesmerizing precision

introducing the new vinyl only label, public system recordings, co run by matthieu foltyn and eric strykert. the first release is a split series ep from dj spider and grey people. starting off the ep, dj spider s mind field offers a percussive drum riff, warm synths, and a slight off beat rhythmic intensity that moulds together perfectly. next on spider s side is demon seed an intense journey utilizing deep stabbing kicks, delayed snares, whistling synths, and finishes with a soft subtle chant. flipping the record, grey people enters into the well familiar analogue techno spectrum. deep friday builds up with short stabbing cords, flickering snares and a spooky vocal. too much relevance is a rough acid chicago throw back. don t let this one slip!!

after releases on saints & sonnets and stay underground, it pays, berlin artist quell aligns with the mil label for the four track tomahawk which further cements his reputation for no-nonsense, stripped back house and techno music. size 7 sets the tone, a dark, underground roller with a trilling bassline and acidy bleeps that sits nicely alongside the shimmering chords and deep dubby vibes of monolame. on the b-side, harhead leads with fluid percussive rhythms and sequential kick drums to give an immediate grooveintrinsic melody. the energetic, grooveled tone continues into the last track, where are they now, a dark, technofused stripped back rhythm track with an acid tinged-feel.

gcw lovingly presents the debut album of a mr paxton fettel. to cut not a particularly long story short, you’re in for a real treat. everything stays the same is a beautifully conceived work of house music which delves in depth and diversity, tapping into the old bittersweet emotion. it s a true labour of love presented in double lp format.

• the return of resin label head, pris !
• printed insert included
• great dj support
for a better understanding’ sees the return of resin label head, pris with three tracks that delve deeper into the hypnotic sides of techno. the a side features two tracks that tread subterranean ground, each exploring differing sounds, the bright and the dark, whilst the listener is taken on a voyage across the b side with ‘devil in the detail’, a percussive drum track at its core that ebbs and flows throughout.

markus suckut is a name that needs no introduction in the techno scene having estabilished himself as one of the main players of the new breed of techno artists coming out of germany with releases on cocoon, figure, mosaic,non series and more. at be as one were excited to have him debut on the label with watching the sunset ep: three cuts of finely produced techno, from peak-time into after-hours, with markus very own raw trademark sound perfectly in balance with be as one latest techno offerings.

mindtrip is pleased to announce the release of the labels 10th ep with 3 strong, synth orientated dancefloor tracks from label boss pfirter and a remix by tensal. the frenetic procyon begins the ep, a dark, atmospheric and intense track. with its driving percussive flow, its guaranteed to send whoever hears it into a feverish delirium. up next is rige, a more subtle and deep track which works a relentless groove alongside colourful metallic textures. tensal - also known as hektor sandoval and one half of spanish techno titans exium - remixes procyon superbly for the third track of the ep and demonstrates his innate ability to craft interesting and fresh sounding techno. the ep closes with closer to the truth, a hypnotic, trippy outing where tension and energy builds relentlessly amid a backdrop of organic anologue hubbub, providing a perfect showcase of pfirters trademark sound. this is mindtrip!

the furnace series is a two-part compilation of music inspired by a special room in the montreal apartment shared by booma collective from 2012-2014. when venues to throw parties became scarce, booma used this room leading to the fire escape in the back of the apartment known as the furnace as a space for small gatherings among close friends. the furnace series is a collection of memories of those intimate parties and impromptu jam sessions. part one features four tracks by booma collective founders and friends, beginning with psyche, a hypnotic, dub-techno inspired composition with oscillating, piercing sounds, evoking whistling flurries. solparas garden in the furnace echoes the hollowed-out concrete architecture of the furnace itself, filling up then emptying its atmosphere with layered drum machines and ghostly voices. cf01 is the result of feedback experimentation carefully arranged into a slow tribal jam. oren ratowsky. producer of booma collectives first vinyl release, rounds off the b side with gorby, an eleven and a half minute exploration of his mastery of analog synthesizers.

a1. celestial encounter (original mix) 6:08 – 4×4 driven groover laced with choppy hi-hats, complexed rhythms, and orchestration only fit for mental travels. an uplifting tune of spirit and electronic sorcery. a2. ominous 4:58 – steely industrial percussion, creepy atmospheres, dance floor know-how. the honest depiction of the title lurking within the corners of your psyche. a3. celestial encounters (interlude) 1:22 a fine example of the latest in signature interludes from the optic nerve project. movement & imagination. b1. jazzy circuitry 4:49- moody, computer-ridden textures walking along side a odd-time signature until the introduction of the bassline and trippy piano keys seal the deal on craft & creation. niceness, indeed. b2. jazzy circuitry ( blaktonys step glide remix ) 4:18 traditional optic nerve ambience is chopped & rehashed into a 1/2 step groover then blasted into a full jam session by blaktony. madness/a complete new trip on the original structure & tune.

dj support from: dave clarke, ben sims, blawan, perc, randomer, and, clouds, jerome hill, joefarr, kr!z, sunil sharpe, j. tijn, manni dee...
following the massive double pack compilation ‘eight wigglin ways to die’, earwiggle return with the debut of a fresh artist, faetch. although a new name on the scene, faetch s advanced take on harder edged techno is far from the work of a rookie it would seem. four tearing club tracks here that contain all the ingredients needed to move the party into another dimension: firing rhythms, strange sampling, manic synth programming, unique sound design... we could keep going. faetch 1 is simply a corker and strong addition to the earwiggle catalogue.

after more than 3 years as a prolific underground promoter in southern sweden, spazio social club now branches out into spazio records. focusing on the grainier strains of house and techno without limiting themselves to any genre, the label is dedicated to putting out both local swedish talents and international producers on limited runs of vinyls. the first release, bubbla ep, features three winding house tracks by debutant sumorai.